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http://archives.rhodes.edu/files/original/c38057034560aa559ba55b3a3abf9b2c.pdf
a31ef69c76f0f69ceef28992a8e30e29
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Text
Book explains : Art princiC
pies; artists ,. earnings; age '
nn
t.
•
•
aei ive service underwear
~:-ta ~
Dear Faith and Reason, <cHUC:..K?
I am trying to have a
closer walk with my Lord and
Savior Jesus Christ. After a great
struggle with the substitute gods
of sexual license and cable
television, I have finally decided
th~t H~ is the. most important
tl11ng m my life. My question is,
how du I "get right with God"
and how do I know that I really am
having_a closer walk?
Smcerely,
Avery Minette Swanborne
Faith: It 's the easiest thing in the
'.vurld, A?enJ. All you have to do
~i s put aside material things, open
..,, yuur h~art to Je;us, and repent of
1$,l 1 sms. That s the magic
!011r
f l 'Jrnwla!
nds
- ' ~as on : _Sou_ like that might
-rk. Give it a try, Avery. Some
·ds of advice, though: when I
'.lside material thmgs I
,,ny forget where tliey are.
may need to make a list of
/ ".. · · you stash them, because
<
/hose things may come in
.
Ni:itch out with the open
,fi '>
;mess, especially if
..c-:
'·IF·
~·
5e stuff 1s the easy, risk-
_J· you'[[ want to trY. that
!
·· .Are, because it can t hurt.
·\· ·'
. Jse your eyes, imagine God
. a_zng, and say, "I repent of all
f szns. I know I'm not worth
forgiving, but please forgive me
any~vay. " DO NOT forget to
~enu_nd God how illogical it is to
; urg1ve you. It makes Him feel so
casual, cutting corners like that
A 11d
r nqlfl /
rn11n l< N nT A /\Tr.
RI
Y
n h .~ t ~ f'l P
vn ut h
$300
FOR
SINGLE
ILLUSTRATION
no
•f
:'My wor~ ha s bee n pu blis he d :
m. mag~z me s; least I 've re- ·
ce 1ved is $ 40, mos t i s .$300.
Yo ur g re at c ourse g ave m e
t h e 'know- h ow'." Flo yd M.
Green, Sea ttle .. Washin gt on .
�UM01;)UJOH
Senior Photographs
A cup of sand
a handful of zebras
and all the used car lots
Merlin could care to sumnon:
1ou!w/ 1ofew
;nu~N S,lO!U~S
i.-pak qko-s-k>
1lcx.;y OF Wam.•11s
Those of us
I.At' Pf\Yflt
· ul rnnare
fortunate enough to have
What a strange place to leave a town,
read last year's yearbook
ecrmc;--a
suppose.:1 to be.
have much to remember,
> an appe11ze11."
<,;;iovAi.;...
tears of joy (for overall
r;_~,
Quality) mixed with the
TWIT) . "I'LL see
horror of pagan senior
~'.
HTl!ll JS
portraits. Reason enough
r
.,
'Cf. IF r/Je
for m ch concern. After
- -------- - r- ...... . v, .....
LL-seasoneo
al , lightning may miss
WIT1J a Libe11al ains oec;11ee, SICIJOJe11eo
eretics occasionally, but
occaswnaLLy 111 rnsrennal loa1111nc;, (Hell 1s
the Federal Board of
01/Je11 people, ape11 aLL--pm.mc:ila11ly 111 a
km/Jen) ano laOJbasreo now ano ac;a111 &y rhe
Senior Portrait Censors
c;ene11al aJanac;rn. Fo11 rhe heeo111c; OF rnuly
never fails to strike terror
eXQUJSITI! waire11s, 1Je amsr &e a rrnesoaJe
in our hearts (forgive the
man, c;1ven 10 111sprne Ins eOJployees w1Th
~M
cliche).
"f
upl1p1nc; p11oaJ1ses OF soa1eoay 01a11ac;111c; rhern
~,
The FBSPC has
Q!f.!l ResrauRanr.
~
•
:
Warc/J 1nai 111 acrwn.
systematically annulled
,,r ~ ' 1
Nore r/Je c;emle a11c OF r/Je kerclmp
the accreditation of
mater. Take the time to Z
,
• · . \.
. _ bonle 11111es11bly Fl1ppeo eno ove11 eno.
colleges , and even
acquaint yourselves with Iii.I
"J ' .. : ~ ~. -:..' Deply cauc;1n, IT oesrn1bes rhe cycle OF
bulldozed some into the
the norms set by the
~
r:~ Jl};t~· ORc;a111c OJaTTeR, rhe celeha11011 OF l1Fe TO
bowels of Mother
FBSPC (1-800-555-1212). I
.':,~
:.: i·
oea11J TO liFe, wn1J JUST a Touch OF r/Je
Earth-there's also talk of
..
0Jelanc/Jol1c Rea1111oe11 rhar you, r/Je cus1001e11,
suppose you may also
aRe 1101 exea1p1 FROOJ rhe wheel.
a Gothic-architecture
contact the Lynx staff at
ObseRve 1JOw, w111J a nearly
fetish. Why? Well, there
x3971.. ..
Qua11reReO &au rowel, he 01spa1c/Jes an e1111an1
are a few common
Brother and sisters,
Fly 10 ITS nexr 111caR1ia11011. A subrle
infractions that come to
UNITE. Strive to smite
Reannoe11 rhar r1Je FOUR 1JUOJOURS, each 111
mind: submissions were
pRopo1111on 10 r/Je or1JeR assuRes balanceo,
the heathen that dare
not photographs, seniors'
noRmal behavw1m-obl1V1011 111 r1Je me0Jo11y OF
rape the fabric of decency
r1Je wo11lo. (Yau see? Hmm. Yes . Yes!)
faces were not visible,
at Rhodes. And let no
Eve11y move, eveRy wo110 alluoes.
some pictures had more
more senior portraits
You will be seRveo, bur 1101 o&seQuwusly.
than three people in
shake these foundations
You will nor Fail ro Recoc;111ze rhe bal.nnce OF
them! In case you think
of Truth, Loyalty and
pawrn. Thouc;1J you may ReQuesr 10 see rhe
these rules are ludicrous,
Service.
a1a11ac;eR ar youR le1suRe; youR manne111sms
you're obviously an
(oR even wo11se, you11 0111neR) may ar any
a1oaJe111 became r1Je c;eneRal aamse01e111 OF
Folks, I've enjoyed
anarchist, or a blithe soul
r/Je km1Je11 STaFF· Tins IS rhe y111 a110 yanc;
all too blissful to be
this exercise in verbosity
OF r/Je wa1Te11/ cusromeR lneRaRc11y, so 111pe
and I'll put an and end to
bothered by the laws of
FOR oeconsrnurnon 11 shoulo pRobably c;o
the land.
your misery. In a
w1pluckeo.
S1c;nal111c; a c;ooo wai1e11 10 arn.•no
My fellow
nutshell, I think the new
one's neeos, 1s rbrn an assumprwn. Eac/J will
Rhodents, in these
rules for senior portraits
1m01ouR r/Je ar1JeR ro play Roles alReaoy lone;
uncertain times let's not
stink like a load of horse
esrabl1s/Jeo. Make 110 ansrake, 1JoweveR .
be unmindful of the
dung. Period.
security of our alma .
,,
(,r-,_>
~
.,
/-/
_/_c
~.// /
~P.'I
-
--
Tak111c; pan 111 an assu01pnon 1s one OF r1Je
no/;lesr enoeavoRS available TO us. To
assume, FOR example, rbar l1Ff 1s woRTIJ
l1V1nc; 111 r1Je pos1-salva11on eRa, 011 rbar
IVOROS mean T1Je same TO &orb speake11 ano
/JeaRe11 1 011 even rhar one's COFp~e 1Jas nor
been &ooc;eReO as well as suc;a11eo, 1s rhe
oepnmve acr OF 1mman1Ty 111 a WORlO
conclusively pRoven TO /;e FRU OF absol1ms.
In TIJ001as Ha11111s 's, 110101, sem111al
novel The Silence or r1Je La01&s. FBI Drnecro11
jack CRaWFORO Reai111os Special Ac;e111 Cl.n111ce
SraRl111c; r1JaT "Re01e01beR, SraRl111c;1 when you
assuOJe, you 01ake an tlSS OF /{ ano OJe."
S1ai1la11ly, 1v1Je11 one Reaos e01Fy111c;
p1M1canons1 one assu01es rhar rhey will nor
/Jal'e SelF· anO co11su01e11-0e111c;11a1111c; nrles .
Men afflicted with Bladd .
Trouble, Getting Up Nigh
P ains in Back, Hip s, Le'
Nervousness, Di z z in e_
s
Physical In a bility a nd Ge _
era! Impotency send fo~ o ~
amazing ~REE BOOK thl
tells how you may corre ct th es e con
ti ~ms and have new health and ZesC
Life .. Write today: No Obligation.
·,
Excelsior Institute, Dept. B-5, Excelsior Sprincs, ..
IN 11 LANDS ••• THC #UT IH THE HOCISE
..!
1 J1?'/lr
l'tlt:a~z
,,r,/~t/
6Yrlli:'SO!D
• O <PrOO'
-
. I MP ORT ED
WHIS KY
MADE
BY
HIRAM
WALKER
TTL( fRO M CANADA BY H AM WALKER IMPORTERS IMC , DETROIT , MICH . BLENDED CANADIAN
IR
NOW
COMMERCIAL
ART
PARTNER
" \V as ar t is t for engravi n g
firm: n ow I' m i n a commcrc inl art partnership; I
t e n ch a rt in my spare t ime.
You r co ur se wor t h mo r e to
m,.. py r·rv ,. ,....,,.. ·• 'Th ,...,.,.....,c. n
WHIS .~ Y
Nothing new about this, when you ;onsider that even
in 1905, when Albe,t Einstein stane:l. the neutrons
flying with his greaiequation, Lukens had been
m akin q steel :nJi>tP for 80 years!
�refrain. I l o v e you
girl. Won't you be my
as
baby.
lots
I saw Pophead
' In some ways she i s
But this n ew stuff
~ to surmion:
tonight on a whim
perfect pop i con.
thriv es on
down at Barrister's.•
h as a .reputati o n
marginality. Sugar
,a ce to leave a town,
I didn ' t know they
r preferring the
makes it an art.
supposed to be.
;rP.' I
were playing. The
ixing room to the
Forget the a udi e nce .
experience was just
stage, I read in
Yo u're not writing
so unexpectedly ric
Spin. She burns 'em
for mass con s umpti o n
up, tho ugh in a club
even though the musi c
I know and respect
the drummer and
in New York. She
is made for it.
player from othe ~
probably wouldn't
Somewhere a l o ng the
bands. I was i
want the crown.
line ~appen s the
cool place t
isten
Pophead wants it.
._. equivalent of "art
,u.
_ _.__,, _ --...,._
to 1 i ve m
c. Tt r.. ,.J...
They' v e got it'. too .
~ for art 's s ake. "
pJ4~
rt'
sing th
allad
rv-'.ta t '
~ •
You, re doing the
~/ · ·11~ ma in fox-corduroy
ck Hero . Pop]]
B
STYLE. The STYLE, the
clay combs-polyester
about a friend
~. ex~ernals b~,c ome the ~ C, schafer-alpaca
who had a motorcycle
P11.rk~''.'_·/ ~e
BOlJ.g?
~~ · ~ dipak gHosh-mohair
wreck once because he
a.lJd L · •
"'~I~ rOSs gohlke-spandex
Pop head is not. . .1. Z
P'}] .
r>f d ylan dryeRw/LJITE LINEN
was trying to mix a
over-the-counter zit.
Q.]_ ,._
·w•'
martini while riding.
""
-1..
J. ay S t ova II -card"
~
medi c ine . Or targeted \
eco ,._d
1gan
Back to Kerouac.
H
_~
-1..
The band rocked.
~ at pimply preteens - ~--- <l.J
pop as in pop music
focus. Yo u move aw~~
The king of pop with
~
which stands for
from t he hand that
an ornate tarnished
r::t::
popular music . But
bought the STYLE, or
crown. They covered
the h a n d moves away
pop music has
Fuck and Run by Liz
fr om y o u .
migrated away from
Phair, my favorite
And you still sit
hit radio to
song on Exile in
in your room late at
scattered outposts of
Guyville , so they
night looking for the
creative artists and
automatically get a
perfe c t pop song with
rl
independent labels.
thumbs up in this
N
your three chords on
Exile in Guyville is
book. Pavement write
your r ed guitar. The
H
on Matador. Never
a good pop song too,
<l.J
audien ce wants your
heard of it. Pop: so
but Liz Phair does
attenti o n. A true
much ironic integrity
not pity her poor
<l.J
pophead knows better
- short and sweet and
.j..J
postmodern self. She
than t o lose sight of
simple.
Pi
loves to be on top,
<l.J
the aud i e nce, that's
Instrumentally basic
Cf)
to "get all wet
what this rock'n'r o ll
guitar bass drums.
between [her] legs"
'd ~ Pophead is a trio,
thing i s a ll abo ut.
,r·.._'"\
but then there's the
But l oya lties run
<l.J 0 another automatic
-:~_~.. ~~~~
vulnerable side - she ~
deeper than mer e
takes your word for
A LIVE MUSIC REVIE
it that she's not
~ )PENING SE~ OP WHI~HBASED ON A 40-MINUTE
worth talking to when <l.J ' thumbs up r
.
. I MI SSED 10 MINUTES.
~' ' b
·
ronic
you're out on the
w
ecause th k '
.
po
.
e
ind of lcrowd-pleasing. Love
road in the middle of Cf)
P music p h
.
.
. . .,
.,, ·-.. - . , plays used ~~ ead
that tension·
Celebrate the
/- ~,-~;/~~Q i:,t- 1 .~c . .
be the
~~ miserable paradox.
- "·
,,:f;; ~ . .
LI Z PHAIR - FRCM EXILE IN G
UYVI LLE
~
Fun and play become
I t a ke a~vantage o f every gu~ I m
eet. I get away with what the gir ls cci ll
serious business.
what the gir ls cal l what the g i r l s ca ll t he gi rl s ca ll m
urder (Girls ! Gi r l s !
Excellent
Girl s ! ) (not grrr l s ! ! grr r ls ! ! grrrl s ! ! J
musicianship i
not
based on how fast you
Wha t ever happened to a boyfriend , the kind o f guy who ' d try to win y ou over ,
move your fingers on
. what eve r happened to a boyfri e nd , the kind of guy who ma kes love ' cause he ' s i11
the fret board or
whether you can write
~'?"~· ~
·
it ? (Fuck a nd Run)
/~ / :~
~"" ,,,,.
;/ ~
in a minor key. To
"~
~~
was made of. The
<V
Beac.tes scarcea ic,
4
know what you're
a love spat (The
~
Z1 • R.E.M. knew . nothing
doing and why you're •
,;
.c:
th .
Divorce Song). She's,~
else early in
eir
doing it, that's the ~
·
bi f."'
career. Follow the
J ust full of vital
(fJ A .l
.
key. Pophead knows c ontradictions .
..Miiiii,.
(fJ ...;;.;.;
f o rmula. Verse
the ballad of the
iiii r P f r ~ in v erse
.
rday
I
gust 20
(~
Pun~
bar
~~~
ea.d 1 . Pop
a.
~
.r
0
ed
{g
m
§4
1
1
--
r:
24'Qii'
ob
E
~·
·''~ ·~
· 1<1
"-'<~
~~
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
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Newspaper
Title
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The Rat's Ass, September, 1994, Volume 03, Issue 02
Subject
The topic of the resource
Newspaper, Publications, Satires, Zines, Fall 1994
Description
An account of the resource
This issue of The Rat's ass dates from September, 1994. This issue of The Rat's Ass focused on God and the growth of us as individuals. The front page has Chuck Meiman trying to get closer with his Lord. The front page also has a comic of a man saying "Loneliness is a sign of weakness." The next article is Dipak Ghosh giving his insight on Senior Photographs. Dylan Dryer brings up luck with "The Eight Ball." The final page has an article about "What's a pop song?" Written by Ross Gohlke.
Creator
An entity primarily responsible for making the resource
Chuck Meiman, Dipak Ghosh, Dylan Dryer, Jay Stovall, Ross Gohlke
Source
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Dlynx
Publisher
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Memphis, Tenn. : Rhodes College Archives and Special Collections
Rights
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Rhodes College owns the rights to the archival digital objects in this collection. Objects are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu. Fees may apply.
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PDF
The Rat's Ass