3
25
415
-
http://archives.rhodes.edu/files/original/8312a2bf4fc328bc2ee497237fefb43a.pdf
6e0f81e64d9033e10f228349c355c2f1
PDF Text
Text
~uttbay ~uppltmtttt
i>un~~!1 2 may 19 9 3 ~olumt Allin,.
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"'We're the j;unba!' j;uppltment that gi1>eg a rat'g an."
FBI Stonns Rat's Ass
Compound. Cult
Members Tar and Feather
Themselves to Fulfill
Prophecies.
by Brian Dixon
In a surprise move late
last night the FBI, feeling tl1at
a peaceful end to the skinnish
was impossible, penetrated Ille
secret location of Ille Rat's Ass
offices. "Things were getting
out of control in tl1ere," stated a
top FBI spokesperson. In
response to tl1e manuevers, cull
members doused themselves
witl1 molasses and jumped into
huge barrels of ckicken
feathers, which they had been
illegally stockpiling for several
weeks. TI1e FBI did blast
several containers of maple
Syrup into tl1e compound,
hoping to drive out U1e
members. However, t11c maple
syrup used was a non-sticking
variety. An FDI syrup
specialist defended Ille actions,
"In no way whatsover did our
blasting maple syrup into-iliecompound have anytl1ing to do
with the horrific actions taken
by the cult. In fact, we used a
fat-free syrup to avoid raising
tl1eir cholesterol levels."
The cult, now
hopefully defunct, has been
printing collages in U1e guise
of accurate student journalism
for at least five weeks. The
FBI began monitoling t11e
situation when cult members
began to prophesy tliat the
journal would double in size
each week, possibly reaching
Ill 1000 page level in a matter
•hs This • of _
course,
e
.
0 f monu•.
was the first in a se~1es of hes
during the tense penod.
Apparently, however,
their promises to tar and featller
memselves and anyone :'ho
attempted to impede tlletr
effo11s was no hoax. "Thank
God none of us were made
subject to their humiliating
torture," said an obviously
relieved Federal Agent.
Another agent, obviously
disu·essed after five weeks of
tense waiting, was heard
exclaiming, "Oh my God
tl1ey're tar and feallle1ing
themselves," as U1e compound
became an oozing, viscous
puddle of molasses.
Humanitarian groups
have criticized tl1e FI31, calling
t11eir surprise attack prematw·e.
"Why didn't they nab tl1e
cultists on t11eir way to cla<>s or
in their dorm rooms," noted a i
concerned member of the liberal ;
free press, "The actions of tl1e
FBI have resulted in a blatant
loss of molasses."
President Clinton,
however, stood by the actions
of tJ1e FBI and tJ1e Atlorney
General, who approved Ille
FBl's plans. "We stand by Ille
actions of U1e FBI and U1e
Attorney General," Clinton said
in an address to Ille nation
minutes after tl1e ordeal was
over. The director of the FBI
praised U1e Federal Agents for
putting their humility on the
line in a potentially
embanassing situation. "The
The Rh o des Co llege
Ce nter
has
Wellne ss
anno unc e d p l ans to h o ld a
series of
instructive
seminar s on two c om mo n
eating
disord e rs,
anorexia
and bulim i a.
i "The college campus like
; Rhodes i s a perf e ct p lace
i for beh a vior patterns
such a s th es e to spr e ad
I like wildfire," s ays the
! Rhodes Co lleg e Welln e ss
Coordinator.
Recently the center
began another aw a r e ness
program with the same
goal:
pos ting the fat
! grams p e r s e rving n e xt to
i meal sel ections in the
Rat .
But that si mply
! wasn't
e n o ugh .
"The
wo men o n this campus just
aren't W l 1 enough," she
e
Federal Agents showed poise.
Despite being showered by
feat11ers, llley never retaliated in
any fashion," remarked the
Attorney General, "I think
we've set a precedent for
dealing wit11 embarassing cults
and oilier counter-culture
groups."
The cult members are
in custody, but have not been
identified as of yet due to l11e
tl1ickness of the chicken
feathers . As soon as t11e
members can be identified tl1ey
will stand tiial and more tlian
likely be scapegoats for a
variety of society's
unexplainable ills.
rrabulae
Rasae
i
I
!
! contin u ed,
"They must
learn
to
trim
t h o se
i tummies
an d hem th os e
; hips·
We felt lik e a
/ progra m which wo uld t ake
/ the girls s tep-by-s t ep
through the proce s s of
j- attaini n g
an
eating
i disord e r
wo uld
be
helpful .
Many women a re
I too shy t o as k q u es tions
l
i a b out th e pro s a nd cons
of the v a rious di sorders;
1many a re left on their
own to ex p er im e nt, and
this c a n hind er th e ir
move tow a rd W llness . "
e
Parties
int er est e d
in
achievin g Welln es s are
, e ncouraged t o co ntact the
\ center, or simpl y wa t ch
l out
for
bulletins
!a nnoun ci ng the pr o g ram ,
je ntitled, "W e ighing Less
·f o r Wellne s s. "
!
I
I
Carnpns virgins.
Once again
Esquire go es ·w here
no E1::t:il
has gone before.
�.·,., , ..... . .
.
. .
.....'."'\,
v · yo u ,;<" ·
··e · ·
. t,.,,., . ... ' ·. .·.· .. <.,:\
.
~· ·~Ha
·''
1
•
Hl'eard:about
ittiCone with Tiddy's
f-:danadian Liqueur? ·
,
,
i~
.
.
\
•
--i~intL Appear During Annu~i-1
.\ Rites Debauch
by Clay Combs
•I
I
have ~
Several students
reported seeing ghostly figures
bearing the likenesses of Jerry ~
Fernandez and Jeff Gadomski, ~
Rhodes's two Patron Saints of
. Financial Aid, during the.Rites of
Spring festival earlier this ~
1
mont h .
;
"I was just standing around
watching th~ end of the [NCA~J
championship basketball] game,
said junior Billy Bill Billings,
"and then I look over and see '
these two guys standing around a
light pole outside Clough, with
their hands folded. I just thought
they had been, you know ,
smokin', or I thought maybe they I
were a couple of fags. Well, I
didn't know what they was, but I I
knew I saw something. It was .
spooky."
I
"It was the most beautiful i
.
I
thing I'd ever seen," said Drucilla i
Festeusc.
"At first I was /'
overwhelmed with awe. Then I
just relaxed and allowed myself to /
get caught up in the moment I I
was moved to interpretive dance." j
The sightings follow a yeaq
.
of controversy surroun d rng 'j
Fernandez and Gadomski. Both!
came to Rhodes under the
pretense of secure fin~ncial ai_d I
. packages, o nly to ftnd thetr l
' scholarships, grants and executive
washroom privileges withdrawn i
'after they had completed one year
of studies. The pair disappeared
under a cloud of suspicion.
There followed a wave of
reactions from all segments of
society.
Several students, '
appalled at perceived injustice,
picketed the Financial Aid office.
They were hosed down with a
solution of Aunt Jemima syrup.
The Arkansas-based Church ·
Saints of Financial Aid .
.Art History Professor David
McCarthy delivered a lecture
entitled "Ben Shahn Meets
1
Fernandez and Gadomski: A
Sacco
and
Vanzetti for
: Postmodern America."
The
· comparison sparked a national
I
[ .
' debate surrounding alleged un air
treatment of students with ethnic
' surnames and firs t names that
.
begin with the letter J.
(Rhodes's
Minister o f
Homogeneity and self-professed
G ood 01' Boy Jim "Whitey"
' Smythe, responded to the
allegations in a CNN press
conference. "The Filipino and
the Yankee?" he said. "No way
did we ever discriminate against
them. They never Jost their
cxecuti ve washroom pri vileges.")
Professor Michael McLain of
the Religious Studies department
published an essay in the ultrahot Journal of Philosophical
Stuff entitled "Visions of the
Patron Saints of Financial Aid :
Delusory o r Veridical?" He
asserted the visions' vcridicality
cannot be rationally admitted
because of the yearly recun-ence
of visions of all sorts around
Rites of Spring, citing past
' reports filed by current Rat's Ass
correspondent Maj or Bat Guano.
Critics of the article claim
the visions could be verified,
even capitali zed upon, if there
1
were pictures. The Rat's Ass
; brings you here the only known
pictures taken during the Rites
appearanc.~:. .._
I
I
I
<>f lhc Sub-Genius sanctified the
n issiil g coll egians as lhr P :i l rrm
- - The campus has calmed
down. But doctors are beginning
to assess delayed effects of the
sai nts' appearance in respo nse to
Moore Moore Moore infirmary
reports of drastic increases tn
complaints from short-term
merp ory lo ss , involuntary
poverty and hallu cinati o ns of
Elvis.
r----I
----- , ,,
,
....
I The Kritics Korner
I
t
I
I
I Anyone can do a paper-· I
: just ask the kids at Rat's ~
I Ass. Hell, next year why I
I doesn't everybody print a I
I paper next year?" Brett \
I Cullum
l
I- - - - - - - - - ----1
I
11
~uaffmansfiip
l/
'/
I
j
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
Newspaper
Title
A name given to the resource
The Rat's Ass Sunday Supplement, May 02, 1993, Volume 01, Issue 01
Subject
The topic of the resource
Newspaper, Publications, Satires, Zines, 1993 Spring
Description
An account of the resource
This issue of The Rat's ass dates from May 02, 1993. It is the first issue in the satirical series, and is shorter than the rest. It contains a piece by Brian Dixon in which the FBI storms the "Rat's Ass" headquarters. Mike Augspurger writes about eating disorders on campus, and Clay Combs describes ghostly encounters during Rites of Spring. It also features a critique by Brett Cullum. This scan is of a distribution copy. It was printed on a single sheet of standard 8.5" x 11" copy paper.
Creator
An entity primarily responsible for making the resource
Brian Dixon, Mike Augspurger, Clay Combs, Brett Cullum
Source
A related resource from which the described resource is derived
Dlynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Rhodes College Archives and Special Collections
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital objects in this collection. Objects are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu. Fees may apply.
Format
The file format, physical medium, or dimensions of the resource
PDF
The Rat's Ass
-
http://archives.rhodes.edu/files/original/3c1959ebbd2de5ada02630fa3342d4ea.jpg
0e058579418c00a9c83097daff427d98
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The 2008 Juried Student Show
Description
An account of the resource
This group of images documents the opening reception for the 2008 Juried Student Show. The exhibition was featured in Clough-Hanson Gallery April 4 - April 11, 2008.
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art Department, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2008-04-04
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23784
2008
art department
clough-hanson gallery
exhibitions
senior thesis
spring
student art
-
http://archives.rhodes.edu/files/original/ecadde573edb335872fa6b90a7bf9659.jpg
f1a41ebfa6d68ca71398d3f5d3295eb7
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital image scanned from brochure. Original is available in Rhodes College archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The 2007 Juried Student Show and Push it One Way or the Other: The 2007 Senior Thesis
Description
An account of the resource
This is a digital copy of the exhibition postcard for The 2007 Juried Student Show and Push it One Way or the Other: The 2007 Senior Thesis Exhibition. The Juried Student Show was featured in the Rhodes College Clough-Hanson Gallery April 13 - 14, 2007. The Senior Thesis Exhibition was featured in the gallery April 20 - 27, 2007, and it included artwork from Deborah Clarke, Lynsey Major, Laura Ann Meyers, Joel Parsons, Jeff Simmons, and Lauren Von Drehle.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art, Department of, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-04-13
Contributor
An entity responsible for making contributions to the resource
Rhodes College Art Department
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23765
2007
art
clough-hanson gallery
department of
exhibitions
images
postcards
senior thesis
spring
student art
-
http://archives.rhodes.edu/files/original/21d0309a01b41cf58f3ffcdc8066b16c.jpg
c2cb45ced6e6db59600a3fb5eb103a00
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Terry Slade: Trophy Room
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Rhodes College
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Date
A point or period of time associated with an event in the lifecycle of the resource
1995-09-16
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/26435
1995
art department
clough-hanson gallery
exhibitions
fall
installations
sculpture
slade
terry
trophy room
-
http://archives.rhodes.edu/files/original/20dbf4ffae3b0f3ffd39665f8da1fd5b.jpg
1a5041dd2c6afa0197d5ee4e6d5c9620
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital image scanned from brochure. Original is available in Rhodes College archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Terri Phillips: Roxanne's Rescue
Description
An account of the resource
This digital image shows an exhibition brochure for Terri Phillips: Roxanne's Rescue. It was featured in Clough-Hanson Gallery February 27 to March 28, 2015.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art Department, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-02-27
Contributor
An entity responsible for making contributions to the resource
Phillips, Terri
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/25749
2015
art
brochures
clough-hanson gallery
department of
exhibitions
installations
phillips
spring
terri
-
http://archives.rhodes.edu/files/original/c85ee04570dc97777459a9f292c3292b.jpg
7d1d169c36daf4adcae64574c600b856
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital image scanned from brochure. Original is available in Rhodes College archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Team Shag: Collaborative Paintings by Amy Sillman, David Humphrey, and Elliott Green
Description
An account of the resource
This is a digital copy of an exhibition postcard for Team Shag: Collaborative Paintings by Amy Sillman, David Humphrey, and Elliott Green. The exhibition was featured in Clough-Hanson Gallery January 22 - February 17, 2010.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art Department, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-01-22
Contributor
An entity responsible for making contributions to the resource
Green, Elliott; Humphrey, David; Sillman, Amy
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23809
2010
amy
art
clough-hanson gallery
department of
exhibitions
images
paintings
postcards
shag
sillman
spring
-
http://archives.rhodes.edu/files/original/df3774a68f42c5661902a9a63cce3548.jpg
523a295e496d59c6db95a1aec34a661f
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital image scanned from brochure. Original is available in Rhodes College archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Taking Aim: Selections from the Elliot L. Perry Collection Brochure
Description
An account of the resource
This is a digital copy of the exhibition brochure for Taking Aim: Selections from the Elliot L. Perry Collection. It was featured in the Rhodes College Clough-Hanson Gallery September 7 - October 11, 2007. The brochure contains several color images of artwork included in the exhibition, and an essay titled "Taking Stock of Young Artists who are Taking Aim: Elliot Perry's Expanding Collection of Contemporary Art" written by Dr. Isolde Brielmaier. The exhibition includes artwork by Wangechi Mutu, Radcliff Bailey, Glenn Ligon, Renee Cox, Xaviera Simmons, Kara Walker, Kehinde Wiley, Leslie Hewitt, Wardell Milan, Demetrius Oliver, Hank Willis Thomas, Robert Pruitt, Jeff Sonhouse, Mickalene Thomas, Chakaia Booker, Kerry James Marshall, and Michael Ray Charles.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art Department, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-09-07
Contributor
An entity responsible for making contributions to the resource
Brielmaier, Isolde
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23766
2007
art
brochures
clough-hanson gallery
department of
elliot
exhibitions
fall
perry
taking aim
text
-
http://archives.rhodes.edu/files/original/80be554dfd10ad3e068ff3432e5c85ef.jpg
04bb23b404edf57727669175789a4019
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital image scanned from brochure. Original is available in Rhodes College archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
T. L. Solien: Cemetary Stack
Description
An account of the resource
This is a digital copy of the exhibition brochure for T. L. Solien: Cemetary Stack. It was featured in the Rhodes College Clough-Hanson Gallery September 2 - October 12, 2005. The brochure contains several color images of the artist's work as well as a short article written by Hamlett Dobbins.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art Department, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-09-02
Contributor
An entity responsible for making contributions to the resource
Dobbins, Hamlett; Solien, T. L.
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23736
2005
art
brochures
cemetary
clough-hanson gallery
department of
exhibitions
paintings
spring
t.l. solien
text
-
http://archives.rhodes.edu/files/original/f51788d01907a56945704ec095f710e7.jpg
e59e384b84c3d3621aba3c831dde74d6
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital image scanned from brochure. Original is available in Rhodes College archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Susan Maakestad: Urban Abstraction Brochure
Description
An account of the resource
This is a digital copy of the exhibition brochure for Susan Maakestad: Urban Abstraction. This exhibition was featured in the Rhodes College Clough-Hanson Gallery January 20 - February 15, 2006. The brochure contains several color images of the artist's work and a short article by David C. Maddox.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art Department, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-01-20
Contributor
An entity responsible for making contributions to the resource
Maddox, David C; Maakestad, Susan
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23748
2006
art
brochures
clough-hanson gallery
department of
exhibitions
paintings
spring
susan maakestad
text
urban
-
http://archives.rhodes.edu/files/original/5ca3fdf7c069bfb974fd549df34e1707.jpg
6937dd2e1d728ab359a07dfadd96c3d4
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital image scanned from brochure. Original is available in Rhodes College archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Six Figures: The 2008 Senior Thesis
Description
An account of the resource
This is a digital copy of the exhibition brochure for Six Figures: The 2008 Senior Thesis Exhibition. This group show was featured in Clough-Hanson Gallery April 18 - 24, 2008. The exhibition included artwork from Kara Clarke, Hayley Hill, Elizabeth Mann, Donna Smith, Rachel Thompson, and Danielle Zuckerman. The brochure contains color images and artist statments from each student artist.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art Department, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2008-04-18
Contributor
An entity responsible for making contributions to the resource
Rhodes College Art Department
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23786
2008
art
brochures
clough-hanson gallery
department of
exhibitions
senior thesis
six figures
spring
student art
text
-
http://archives.rhodes.edu/files/original/89fda6fb2eced782c9cc570b685accbe.jpg
3d97a2bbfb2405e181f372c21f37e0a5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shelby Foote: Staying Within the Memphis Parkways
Description
An account of the resource
"Very strange, looking back on a life once the pattern has emerged. What in God′s name will they make of ours someday, if they take the trouble?" These words were written by Shelby Dade Foote, Jr. to his good friend and fellow author, Walker Percy. Rhodes College is taking the trouble to make something of Footes′ life. Shelby Foote was a noted southern writer and historian who became well known as the "voice" in Ken Burns' PBS documentary on the Civil War.
The Foote collection is composed of diaries, manuscripts, research notes, letters, and photographs from the 1930s to the early 2000s. It was acquired by the College in December 2010 from the Shelby Dade Foote Estate.
Foote's first novel, "Tournament" (1949), was followed by two more books set in Mississippi, "Follow Me Down (1950) and "Love in a Dry Season" (1951). An entry on January 22, 1951 mentions a conversation with William Faulkner.
"Talked to Wm. Faulkner this afternoon where he autographed copies of “Notes on a Horsethief.” He said he liked my book (meaning “Follow Me Down); “It’s a good book,” he said, and added: “Do better on the next one.” I should have told him the plain truth: That I never do less than my best: but as it was, I just said I would and he said “Good.” "
Foote published "Shiloh" in 1952 which was set during the 1862 Civil War battle in Tennessee in which about 24,000 from both the Union and Confederate armies were killed or wounded,. He blended fiction with fact and used multiple characters to describe the action. Random House founder Bennett Cerf, admired "Shiloh," and approached Foote about writing a short history of the war, but Foote insisted that nothing less than three volumes and he predicted that this work might take four years to complete. His three volume work, "The Civil War: A Narrative," took twenty years to complete with the volumes being released between 1958 and 1974.
Shelby Foote, the novelist and historian became a national celebrity in 1990 after his appearances in the 11-hour PBS series, "The Civil War," produced by Ken Burns.
Creator
An entity primarily responsible for making the resource
Elizabeth E. Gates, College Archivist
Subject
The topic of the resource
The Shelby Dade Foote Jr. (1916-2005) collection, acquired by the College in 2010 took a short journey from East Parkway to North Parkway, but a huge journey in being readied for use by scholars. This exhibit highlights some of the interesting documents and images that are part of Shelby Dade Foote, Jr. Collection.
Source
A related resource from which the described resource is derived
The Shelby Dade Foote Jr. Collection is available to researchers in the Rhodes College Archives and Special Collections through the generosity of Steven R. and Riea Lainoff.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shelby Foote Diary Collection
Subject
The topic of the resource
Foote's Diaries
diaries
foote
-
http://archives.rhodes.edu/files/original/6b856a1299176586a362cb9450be9197.jpg
4f56d2765a106b93edb71724934fe4e5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shelby Foote: Staying Within the Memphis Parkways
Description
An account of the resource
"Very strange, looking back on a life once the pattern has emerged. What in God′s name will they make of ours someday, if they take the trouble?" These words were written by Shelby Dade Foote, Jr. to his good friend and fellow author, Walker Percy. Rhodes College is taking the trouble to make something of Footes′ life. Shelby Foote was a noted southern writer and historian who became well known as the "voice" in Ken Burns' PBS documentary on the Civil War.
The Foote collection is composed of diaries, manuscripts, research notes, letters, and photographs from the 1930s to the early 2000s. It was acquired by the College in December 2010 from the Shelby Dade Foote Estate.
Foote's first novel, "Tournament" (1949), was followed by two more books set in Mississippi, "Follow Me Down (1950) and "Love in a Dry Season" (1951). An entry on January 22, 1951 mentions a conversation with William Faulkner.
"Talked to Wm. Faulkner this afternoon where he autographed copies of “Notes on a Horsethief.” He said he liked my book (meaning “Follow Me Down); “It’s a good book,” he said, and added: “Do better on the next one.” I should have told him the plain truth: That I never do less than my best: but as it was, I just said I would and he said “Good.” "
Foote published "Shiloh" in 1952 which was set during the 1862 Civil War battle in Tennessee in which about 24,000 from both the Union and Confederate armies were killed or wounded,. He blended fiction with fact and used multiple characters to describe the action. Random House founder Bennett Cerf, admired "Shiloh," and approached Foote about writing a short history of the war, but Foote insisted that nothing less than three volumes and he predicted that this work might take four years to complete. His three volume work, "The Civil War: A Narrative," took twenty years to complete with the volumes being released between 1958 and 1974.
Shelby Foote, the novelist and historian became a national celebrity in 1990 after his appearances in the 11-hour PBS series, "The Civil War," produced by Ken Burns.
Creator
An entity primarily responsible for making the resource
Elizabeth E. Gates, College Archivist
Subject
The topic of the resource
The Shelby Dade Foote Jr. (1916-2005) collection, acquired by the College in 2010 took a short journey from East Parkway to North Parkway, but a huge journey in being readied for use by scholars. This exhibit highlights some of the interesting documents and images that are part of Shelby Dade Foote, Jr. Collection.
Source
A related resource from which the described resource is derived
The Shelby Dade Foote Jr. Collection is available to researchers in the Rhodes College Archives and Special Collections through the generosity of Steven R. and Riea Lainoff.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shelby Foote about 2 years old in 1919.
-
http://archives.rhodes.edu/files/original/afb297b3aea13307aabc9758bf59b564.jpg
aea3a0b89f5e7256d4946e187697ff6a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shelby Foote: Staying Within the Memphis Parkways
Description
An account of the resource
"Very strange, looking back on a life once the pattern has emerged. What in God′s name will they make of ours someday, if they take the trouble?" These words were written by Shelby Dade Foote, Jr. to his good friend and fellow author, Walker Percy. Rhodes College is taking the trouble to make something of Footes′ life. Shelby Foote was a noted southern writer and historian who became well known as the "voice" in Ken Burns' PBS documentary on the Civil War.
The Foote collection is composed of diaries, manuscripts, research notes, letters, and photographs from the 1930s to the early 2000s. It was acquired by the College in December 2010 from the Shelby Dade Foote Estate.
Foote's first novel, "Tournament" (1949), was followed by two more books set in Mississippi, "Follow Me Down (1950) and "Love in a Dry Season" (1951). An entry on January 22, 1951 mentions a conversation with William Faulkner.
"Talked to Wm. Faulkner this afternoon where he autographed copies of “Notes on a Horsethief.” He said he liked my book (meaning “Follow Me Down); “It’s a good book,” he said, and added: “Do better on the next one.” I should have told him the plain truth: That I never do less than my best: but as it was, I just said I would and he said “Good.” "
Foote published "Shiloh" in 1952 which was set during the 1862 Civil War battle in Tennessee in which about 24,000 from both the Union and Confederate armies were killed or wounded,. He blended fiction with fact and used multiple characters to describe the action. Random House founder Bennett Cerf, admired "Shiloh," and approached Foote about writing a short history of the war, but Foote insisted that nothing less than three volumes and he predicted that this work might take four years to complete. His three volume work, "The Civil War: A Narrative," took twenty years to complete with the volumes being released between 1958 and 1974.
Shelby Foote, the novelist and historian became a national celebrity in 1990 after his appearances in the 11-hour PBS series, "The Civil War," produced by Ken Burns.
Creator
An entity primarily responsible for making the resource
Elizabeth E. Gates, College Archivist
Subject
The topic of the resource
The Shelby Dade Foote Jr. (1916-2005) collection, acquired by the College in 2010 took a short journey from East Parkway to North Parkway, but a huge journey in being readied for use by scholars. This exhibit highlights some of the interesting documents and images that are part of Shelby Dade Foote, Jr. Collection.
Source
A related resource from which the described resource is derived
The Shelby Dade Foote Jr. Collection is available to researchers in the Rhodes College Archives and Special Collections through the generosity of Steven R. and Riea Lainoff.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shelby Foote about 16 years old in 1932.
Subject
The topic of the resource
When he was thirteen he became friends with another Greenville boy, Walker Percy, and the two remained friends until the end of Percy's life, 60 years later. They shared a love of books, and encouraged each others' literary ambitions.
-
http://archives.rhodes.edu/files/original/96daab2e12170da9008ba96514b19f49.jpg
3b336c87356c13868bd528cbde415d06
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Senior Thesis Show (1999)
Description
An account of the resource
Image of artwork installed in Clough-Hanson Gallery for the 1999 Senior Thesis Exhibit. This exhibit opened April 29, 1999.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-04-29
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/12679
1999
art department
clough-hanson gallery
exhibitions
senior thesis
spring
student art
-
http://archives.rhodes.edu/files/original/be06fc3e67d355f179c3bea6f12f71f0.jpg
85db594757f27719638602a330679bb8
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Senior Thesis Show (1998)
Description
An account of the resource
22 images documenting the installation of artwork at the 1998 Senior Thesis Art Exhibit. It was featured in Clough-Hanson Gallery April 26 - May 5, 1998.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
1998-04-26
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23905
1998
art department
clough-hanson gallery
exhibitions
senior thesis
spring
student art
-
http://archives.rhodes.edu/files/original/a349f443d6c4d8b05da5800bed377b02.jpg
bd3004d83ca7c40f0bddd5466a5555ad
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Senior Thesis Show (1997)
Publisher
An entity responsible for making the resource available
DLynx
Date
A point or period of time associated with an event in the lifecycle of the resource
1997-04-26
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23902
1997
art department
clough-hanson gallery
exhibitions
senior thesis
spring
student art
-
http://archives.rhodes.edu/files/original/0566972dfc1655f3e21e0d5b7c28f6eb.jpg
8154564f1cb9b9b718574c5b3d43be18
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Senior Thesis Show (1996)
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Rhodes College
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/26501
1996
art department
clough-hanson gallery
exhibitions
senior thesis
spring
student art
-
http://archives.rhodes.edu/files/original/5859469edd2474ba5f57116d28a9f2fb.jpg
be553b0eb50fb7ef367cfa9bf4859661
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital image scanned from brochure. Original is available in Rhodes College archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Riffs on Real Time: Leslie Hewitt Brochure
Description
An account of the resource
This is a digital copy of the exhibition brochure for Riffs on Real Time: Leslie Hewitt. This exhibition was featured in Clough-Hanson Gallery October 30 - December 7, 2009. The brochure contains several color images of the artist's work and a short essay written by Hamlett Dobbins.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art Department, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-10-30
Contributor
An entity responsible for making contributions to the resource
Dobbins, Hamlett; Hewitt, Leslie
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23802
2009
art
brochures
clough-hanson gallery
department of
fall
hewitt
leslie
photographs
riffs
text
-
http://archives.rhodes.edu/files/original/daddcaded4846aa473c52460f0e2818c.jpg
33f219124b56e861eb180920a9072899
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rhodes College: Permanent Collection
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
1994
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/26404
1994
art department
clough-hanson gallery
exhibitions
faculty art
fall
painting
permanent collection
public art
sculpture
student art
-
http://archives.rhodes.edu/files/original/960729e6a3dc563d0968caf377c5be2d.jpg
eea922e11739b0dc77043fdf88dfeb20
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital image scanned from brochure. Original is available in Rhodes College archives
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recent Works: Peter Williams
Description
An account of the resource
This is a digital copy of an exhibition brochure for Recent Works: Peter Williams. This exhibition was featured in Clough-Hanson Gallery February 26 - March 24, 2010. The brochure contains several color images of the artist's work and a short essay written by Hamlett Dobbins.
Source
A related resource from which the described resource is derived
DLynx
Publisher
An entity responsible for making the resource available
Memphis, Tenn. : Art Department, Rhodes College
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-02-26
Contributor
An entity responsible for making contributions to the resource
Dobbins, Hamlett; Williams, Peter
Rights
Information about rights held in and over the resource
Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/10267/23811
2010
art
brochures
clough-hanson gallery
department of
exhibitions
paintings
peter
spring
text
williams
-
http://archives.rhodes.edu/files/original/2497c97d09ab1e8399bb65ede8fe59cf.pdf
ba69fe2bde600fe4d2d72e0a35441239
PDF Text
Text
I
I
'1
l
I
Growth
by Jay Withertunk
)
The man stood looking
down al his leg, grinning. One
hand poinled lo his knee, the
olher was held aloft and
waving. He was yelling.
He said, "Behold, you
people, the grealesl knee ever
lo have carried a man. Behold
il and weep al it's grandeur.
Laugh al the magnificence that
oozes from ils fibers. Know lhat
right now you are witnessing
lhe peak and goal of lime itself
as you behold lhe greatest kne~
in the universe!!!!!"
People walked by,
people with more sense than
lhis man, and pitied him. He
was held in a standing position
by a pair of crutches and the
gray wall behind him, because
one of his knees was swollen lo
the size of a small cantaloupe
wilh a malignant tumor. He
had never had such a massive
·lumor of lhe knee before. He
didn't know what lo do or how
lo read, and it seemed a waste
of time and energy to groan or
beg for change, so he decided
lhal his knee, by far lhe largest
knee he had ever seen, must also
be the greatest knee ever lo
exist. But you musl feel sorry for
lite man when you see him, and
smile at him and his knee, the
greatest 011 earth.
Journal of Polymorphous Perversity®
·
a humorous & satirical journal of Psychology
Volume V, iSSue 3
JAn. 24, 1997
�-- - -
I
WWWWWW ·
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er reactions
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...
~ ADP_
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OH
H
THYMINE
(T)
OH
CYTOSINE
(C)
H
The la4uer lopped table gleamed under unfirgiving llorescenl lights. My boss tapped one
black kidskin covered finger like a ruthless metronome.
"Defcnistration is nol an option."
I looked across the flawless shiny rectangle from my leather chair. I lit a cigarette and
slowly inhaled before I spoke lo the hunched figure across from us.
"The neuro-pallern reading gave us some very interesting information, Mr, Superchunk."
My voice was Hal and even except for the emphasis I placed on the name. I held my level
gaze al the now twitching man.
"Yes. We do know. The DNA samples have proven my original hypothesis. You see,
Mr. Superchunk, we'vcw been on lo you from Leh slarl. And I must tell you that your elimination.
is something I have l<x>ked forward lo for quite some lime now. "
The gangly man's etherealy pale skin glowed under the glaring lights. He shuddered as I
swung my patent leather txx)l off of the table and slowly rose from my chair. I strolled deliberately
toward him, pausing only lo slub oul my cigarelle i lhe cul-glass ashtray lo my right.
As I approached lhe not-long-for-this-world Mr. Superchunk, my boss flipped open her
cell phone. She spoke only lwo words in her crisp British accent before snapping the phone shul
with a dick that rang as distinctly as my boot ht.-els on lhe polished marble floor.
"CUC 148."
AL this signal , the lights faded lo a reddish-gold. I bent from the waist and stared directly
intol he scaled Mr. Superchunk's eyes.
"I think it may be Li.me lo gel religion," I purred into his ear.
Electrified steel doors on either end of the room whirred into a low hum.
"Any lasl requests, Mr. Superchunk?" I demanded ironicaly as I leaned in closer. His nose
was pamllel to my cleavage.
I noticed beads of sweat roll like tumbleweed from his temples.
''No.,,
He spat oul lhe words, trying to meet my eyes, but his line of vision was fixed on the
space between my breasts.
With a heaving breath, Mr. Superchunk tried to explode from his chair and burst lolhe.
door, I grabbed his left cltx)\v and with a flick of the wrist, snapped his arm in half. My tx)ss
sneered from across teh room as she slowly stroked the Doberman al her knee.
Mr. Supcrchunk crumbled lo the floor as I dipped chrome cuffs lo his wrists and ankles.
This was almost loo easy Lo be fun. My boss pressed a glowing bullon on the arm of her chair. I
grabbed Mr. Superchunk by the neck and shoved him backwards against the wall. The chrome
cuffs fil into eleclrornagnelic dips and he was stuck like a fly, whimpering and sweating.
My boss grinned as she punched a second bullon on the arm of her chair.
Mr. Superchunk's body stiffened as the green lights stabbed him. He vaporized.
.
a
2 ATP invested
~ glucose-6-ptiosphate
,
~
Mr. Superchunk Meets His Final End
by: ruh-bck-uh an<l-cnr-sun
STEPS OF GLYCOLYSIS:
of
the
Giycolys is starts with ,
mvestmenr of two ATP: Fir
action promotes the trans!
phosphate group from ATI
which has ;i h"~ '- "- 1 of .
e
;fer, t
lightil,
m e ta p hysical
Q -t i p
fructose-6-phosphate
~~ ADP
~
fructose-1,6-bisphosphate
Do you ever wonder where the
earwax of the narrow spatiotemporal
nether-dimension
goes
after the
grounded- metaphysical
Q-tip provides it meaning though
use, namely, clearing the
convoluted pathways or our
auditory canals'!
If metaphor ts
the only true art, then the Q-tip
should ri val anything Keats so
boldly an d spontaneous! y creates.
The Q-tip shou ld set a standard for
modern thought insofar as it
should be applied to every
discipline's discourse in an etlon
to clear away the bullshit, you dig?
By the way, the earwax ? It goes to
that place or never-end ing
lubricati on--that mighty and
prophetic land of evaporated KY
and empty cans of metaphysical
WD-40 .
As for the human essence?
I can't say quite as much for it.
U nfortunatel y, it cannot make that
great Gig in the Shy so must settle
for
hope l e ss transmigration- - too
bad, the life of a Q-tip, AHH IF
ONLY !
omot·
• from
'eculE
:ose- ·
:e intc
oon b
i PGA
1ediatE
each F
lydrog
1 cor
lso
' (P;) pr
ates a r
we form
! from ;
as sub
rmatior
·estme
yme-m
two int1ydrog
1hic h C<
dig the dank,
C ha v e z _
)nergy-releasing
sm of all
Substrate-level
phosphorylation,
2 ATP produced
g The resulting intermediatE
molecules of 3- phosphoenolr:
or PEP) are rather unstable. E
gives up a phosphate group :
Once again. two ATP have io
substrate-level phosphorylat1c
h Thus the net energy yield f
glycolysis is two ATP for each
molecule entering the reaction·
end products of glycolysis are
molecules of pyruvate. each w1
three-carbon backbone.
Energy-Releasing Pathw
�......'l.•.
~
..· .
.~·
~ ~~·~.>."'.r•• \.
•
ammo acids « 71·,
~ •.'1
NH
.... •:.-:-
carbon
._b_a,_c_kb~o~ne_s_,
(
urea
..
i
r
i
I
I-
I
i
!
t
'
acetyl-CoA
1---------__,1
I.
from
The Strategic Etymology,
entry 7.03
by stay jovial!
C0 2
Emplicity is the underlying principle of
I
1•
the overarching locus of Metafrolic, and yet,
despite the increasing demand for extrinsic
omissionary refroth, it is still best understood
by assessing the surrounding branches of its
conceptbush. I here present a three-level
approach to beginning to grasp emplicity,
beginning with the relational quantalities of the
1 root "emp." I will then offer an explicative
non-recursive exploratory fruxit (elemental and
beyonding-inclusive), and conclude with
general prescriptions.
What branches stem from ''emp?"
Donner's Elusivity/Heteroxity Principle points
us first to empathy. Traced to the German
einfUhlung (..in-feeling"), which derives from
the Greek empatheia, empathy speaks of the
capacity to enter into emotional
harmony/understanding with an Other.
Employ means broadly "to use," and is
from the French employer. Emplicity is not
used, but in the best of circumstances one is
used by emplicity.
Empty is "with nothing in it,
unoccupied, or totally without." Empty must
be the vessel; blood flows though the vessels;
blood is the river of life; the river of life can
only be traversed with an empty vessel.
Empire and empirical also figure into
this analysis in the most obvious connection.
I
I
I
I
I
I
NADH
NAO
FADI
ELECTRON TR;
0
,___ _ 0 ..:...sP_H.:..::..:..R--Yt
P_H..:.
No~-recursive
fruxits are a hot topic in
S~rategy Cnt ~hese days. Whether you side
I/
with A~togemc Netherthugs in their posthumarust parametaphysicality, or with the
Ontogenic Conceptual Stuntmen with their
intransigent conviction in the antiloco, there is
no escaping the fact that antinomies inevitably
undermme the current cyptozoologist' s
plasticity. If one is willing to grant the obvious
to the unbegged in a world of nons and
growing froat, its not a far leap to
thund~~i~ing both beekeepers and proponents
of ant1truxit theory. This consideration when , ·
held against a background of Miles Davis' Blue / ::
·
.
in Green, ~d gr.asped on Darwinian grounds,
makes the msert1on of a f ruxi t unnecessary,
because you the reader are already thinking
about (ensnared by) the gist of fmxitivity.
. I .now conclude with general (emplicit)
prescnpt1ons.
1.
2.
3.
4.
5.
6.
7.
8.
Drink perverse amounts of water.
Laugh. It is your only salvation.
Devour each moment.
Embrace struggle, Jove pain.
Garlic: 3 cloves/day
Be autonomous.
Wonder, look, aspire.
gO.
:d
., .
e·
·1~
�You're The Deiusionai Festooned Matador
c:·
~
~- G
.... '
=·
You ~lart :,alivalin14 <rn<l move [(J the back of lhe room.
You wonJer where your will ran off Lu anJ ~uck un your canJy ri11t;,
loukin!:J fur an entrance into lhe cunver~atiun:, malleJ lo the wall~.
Every One is making love Lu the barlenJer who wears
an expression of unJistingui:,heJ linguistic exploilalion.
"I useJ to live ac..:ross the trac..:ks," you c..:arefully pretenJ, nol wanting
to seem needy. Every One ignores you bec..:ause
they Jon't want to hanJle a sucker-puncheJ maverick.
Your make-up c..:an't hi<le a black eye, much Jess
the fear of fool hardy emasculation.
!><!
Pl
OK, Every Thing's gonna be alright, you breathe in anJ off.
In. Off. In. Off. In. Off. Drag that cigarette. In. Off. Off.
Hi
ii"
~
r-·
::i
0
H
Hi
;)
ri
ro
r-·
10
::i
:1
0
"Once I consumed an entire cherry pie through my nose."
<<Great,>> Some One mumbles. <<tv1aybe you can straighten
out an indefatigable argument This One and I are having.
It appears to me that LIFE lyou're deaf after this wordl is much
more attainable once you commit to stop living. This One
disagrees on the .grounds that LIFE is a meaningless term.>>
Oh _shit. You were afrai<l this would happen. You need some more
absmthe and a monastery to figure out what the words swilling
through your head MEAN.
H
H
·;n
(JJ
You dive
':J
0
;:J
0..
iD
;::l
;t
"L_ife i~ simply the opposite of File," you toss out, shoulders
coiled 1~ preparation for apocalyptic retribution,
~one~ ~n y~ur po':1<et whistling Auld Lang Syne
m antlClpahon of impending perturbation.
t-'·
;::l
::r
~rn
'Ji
"
'°"1
;D
:--t·
" -
<<Would y~u like one of us to go down on you?>> Some One
SCREAMS m a movement of ingratiation. That One
looks defeated and swollen.
Isn't that your therapist on the other side of the room;,
�
Dublin Core
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Newspaper
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Rat's Ass, January 24, 1997, Volume 05, Issue 03
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Newspapers, Publications, Satires, Zines, 1997 Winter
Description
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This issue of The Rat's ass dates from January 24, 1997. The front of this issue has a story written by Jhay Witherspoon called "Growth." Chavez has an article on the "Creation of the metaphysical Q-tip." Stay Joviall gives us the "Strategic Etymology, entry 7.03." On the last page Ross Gohlke tells us why "Life is simply the opposite of File."
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Jhay Witherspoon, Chavez, Stay Joviall, Ross Gohlke
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Dlynx
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Memphis, Tenn. : Rhodes College Archives and Special Collections
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The Rat's Ass
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http://archives.rhodes.edu/files/original/c5fc39f7b6903f226c8b5f304585b0eb.jpg
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Radcliffe Bailey: Four Corners
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This is a digital copy of the exhibition brochure for Radcliffe Bailey: Four Corners. It was featured in the Rhodes College Clough-Hanson Gallery February 25 - March 26, 2005. The brochure contains several color images of the artist's work as well as a short article written by Hamlett Dobbins.
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DLynx
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Memphis, Tenn. : Art Department, Rhodes College
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2005-02-25
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Dobbins, Hamlett; Bailey, Radcliffe
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http://hdl.handle.net/10267/23732
2005
art
brochures
clough-hanson gallery
department of
exhibitions
paintings
spring
text
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http://archives.rhodes.edu/files/original/6cdfbcc3b9594985001eef3e48205e41.jpg
a6edb60148d211945578784f472a205b
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Power and Paper: Margaret Bourke-White Modernity, and the Documentary Mode
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Eighteen images documenting the installation of artwork for an exhibition titled Power and Paper: Margaret Bourke-White Documentary, and the Documentary Mode. This exhibition was featured in Clough-Hanson Gallery February 5 - March 17, 2000.
Source
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DLynx
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Memphis, Tenn. : Rhodes College
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2000-02-05
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Bourke-White, Margaret
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Rhodes College owns the rights to the archival digital images in this repository. Images are made available for educational use only and may not be used for any non-educational or commercial purpose. Approved educational uses include private research and scholarship, teaching, and student projects. For additional information please contact archives@rhodes.edu.
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http://hdl.handle.net/10267/23910
2000
art department
bourke-white
clough-hanson gallery
exhibitions
margaret
photographs
spring
-
http://archives.rhodes.edu/files/original/c823e9240aa008ec953d6a95d70d73a9.jpg
e349518266c0aeb688d2b2daee7337aa
Still Image
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Pettest of Pets: Erin Harmon Brochure
Description
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This is a digital copy of the exhibition brochure for Pettest of Pets: Erin Harmon. The exhibition was featured in the Rhodes College Clough-Hanson Gallery March 3 - 25, 2006. The brochure contains several color images of the artist's work and a short article written by Hamlett Dobbins.
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DLynx
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Memphis, Tenn. : Art Department, Rhodes College
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2006-03-03
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Dobbins, Hamlett; Harmon, Erin
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http://hdl.handle.net/10267/23751
2006
art
brochures
clough-hanson gallery
department of
erin
exhibitions
faculty art
harmon
paintings
pets
pettest
spring
text
-
http://archives.rhodes.edu/files/original/5ff2aa96394e1820cf941bb47c01acc3.jpg
e6342ec01744598932bc8a671f9bf499
Still Image
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Original Format
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Paul Mpagi Sepuya: Recent Pictures / A Journal
Description
An account of the resource
This is a digital copy of the exhibition brochure for Paul Mpagi Sepuya: Recent Pictures / A Journal. This exhibition was featured in Clough-Hanson Gallery January 18 - February 15, 2013. The brochure contains several color images of the artist's work and a short essay written by Hamlett Dobbins.
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DLynx
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Memphis, Tenn. : Art Department, Rhodes College
Date
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2013-01-18
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Dobbins, Hamlett
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http://hdl.handle.net/10267/23874
2013
art
brochures
clough-hanson gallery
department of
exhibitions
mpagi
paul
photographs
sepuya
spring
text